'Better a bare foot than none' presents Katarzyna Perlak’s tender crafts methodology and explores how heritage and traditional handwork practices can be re-imagined from contemporary feminist, queer and migrant perspectives. Perlak’s Pajaki sculptures, a starting point for the exhibition, are a material manifestation of Polish tradition. The paper chandeliers, also known as 'spiders', are hung to protect the home, and are historically crafted for Christian, pagan and folk celebrations. Considering the contradictions within problematic social movements in Poland, as well as her own longing for home, Perlak utilises the feeling of nostalgia to imagine new possibilities for the future.
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